ORQUESTRA BARCELONA SINFONIETTA
Therer are two versions in the production “BARROCA” (1), one designed by Christmas and New Year, and the other in spring (also Easter) in which the orchestra is presented in a reduced format but incorporates a haepsichord and / or vocal soloist, in the cas of “Stabat Mater”.
To the CLASICAL production(2), they are added to the orchestra two oboes, a bassoon and two horns and it is dedicated basically to the “classic symphony”.
The productions “SUITES and ARIAS” (3) and “SERENADES” (4) are spectaculars and very suitable for the festive and summer nights.
Present also the “GERMANICS STRINGS” (5) with works of German composer “postromantic” of recognized prestige.
In the production “CLASSIC OF DE LAST CENTURY” (6) we wont to honor teh composers who were then acant-gardet and who desgned the current music.
We also giveimportance to CATALAN MUSIC (7,8) and SPANISH MUSIC (9) with the intention of diffusing them to all corners of our country and the world.
Finally we present a popular production with the“AMERICAN MUSIC”, (10) in which the South American rhythms prevail and with a clarinet soloist.
Orquestra BCN SINFONIETTA presents 10 different productions that include all the styles of music, from the baroque to the current time. To each production participate special musics in the corresponding style.
Therer are two versions in the production “BARROCA” (1), one designed by Christmas and New Year, and the other in spring(also Easter) in which the orchestra is presented in a reduced format but incorporates a haepsichord and / or vocal soloist, in the cas of “Stabat Mater”.
To the CLASICAL production(2), they are added to the orchestra two oboes, a bassoon and two horns and it is dedicated basically to the “classic symphony”.
The productions “SUITES and ARIAS” (3) and “SERENADES” (4) are spectaculars and very suitable for the festive and summer nights.
Present also the “GERMANICS STRINGS” (5) with works of German composer “postromantic” of recognized prestige.
In the production “CLASSIC OF DE LAST CENTURY” (6) we wont to honor teh composers who were then acant-gardet and who desgned the current music.
We also giveimportance to CATALAN MUSIC (7,8) and SPANISH MUSIC (9) with the intention of diffusing them to all corners of our country and the world.
Finally we present a popular production with the“AMERICAN MUSIC”, (10) in which the South American rhythms prevail and with a clarinet soloist.
| Nº | TÍTOL | PROGRAMA |
|---|---|---|
| 1 | La SINFONIETTA BARROCA nadal | · HAENDEL: Concerto grosso op.6 ,nº 8 en do menor. · VIVALDI: Concerto 2 violins i Cello op.3, n 2. · BACH: Ricercare a 6. · GEMINIANI: Concerto grosso in E minor op. 3. · CORELLI: concert op.3 nº 8 nit de nadal. · Nadales (amb el públic) |
| 1 | LA SINFONIETTA BARROCA primavera | · TELEMANN: suite “DON QUIXOT”.  · VIVALDI: concerto “alla rústica”. · PERGOLESI: Stabat Mater (soprano i mezzo) |
| 2 | ELS CLASSICS DE LA SIMFONIA | · MOZART: Simfonia n 16 en Do M. · BOCHERINI: Simfonia G.511 en La M. · STAMITZ: Simfonia op.3, n.3, Sol M. · HAYDN: Simfonia nº 44 (funebre) en mi m. |
| 3 | Les SUITES i ÀRIES de la SINFONIETTA | · RESPIGHI: Suite nº 3, Àries i Danses antigues. · DELIUS: Air and Dance. · WARLOCK: Suite Capriol. · HOLST: Brooklyn Green Suite. · GRIEG: Holberg suite. |
| 4 | Les SERENATES per a CORDES de la SINFONIETTA | · ELGAR: Serenata Op.20. · DVORAK: Serenata per a cordes. · TCHAIKOVSKY: Serenata per a cordes. |
| 5 | Les CORDES GERMÂNIQUES | · HINDEMITH: Fünf Stücke. · BRUCKNER: Adagio. · SCHÖNBERG: La nit transfigurada(30'). |
| 6 | ELS CLASSICS DEL SEGLE PASSAT | · STRAWINSKY: Concert en RE M. · HINDEMITH: Cinc peces per a cordes. · BARBER: Adagio. · SHOSTAKOVITX: Quartet n.8, op.110(25'). |
| 7 | LA MÚSICA CATALANA | · MORERA: “Melangia” per a cordes. · TOLDRÀ: “Vistes al mar” o (quartet en Do menor). · TURULL: “Sis cants intrascendents “(vlí). · MONTSALVATGE: Concertino+ 13 ; “Tres postals il·luminades”. |
| 8 | MUSICA CATALANA ACTUAL | · OLAF SABATER: Suite per a cordes. · CERVELLÓ: “La mort i la doncella”. · LLORENS: “Temps de sega”. · SUBIRACHS: “Cúmulus i eixarms de pluja”. · BONET: “Tramuntana” · XUCLÀ: “Els arcs fan swing” |
| 9 | LA MÚSICA ESPANYOLA | · MASSIÀ: intrata. · MORERA: Melangia per a cordes. · TOLDRÀ: Vistes al mar o (quartet en Do menor). · ALBÉNIZ: Cantos de Espanya. · FALLA: Danza española. · TURINA: La oración del torero. |
| 10 | La SINFONIETTA i la música popular AMERICANA | · LÓPEZ GAVALDAN: “Punto i tonadas”. · FARIÑAS: Camerata en Guacancó. · PIAZZOLLA: Tango ballet ; Adiós Nonino (clarinet). · GERSHWIN: Suite “Porgy and Bess” (clarinet) |
| 11 | La SINFONIETTA i el compromís social-1 | . REICH, Steve: Different Trains.(30') · SHOSTAKOVITX: Quartet n.8, op.110(25'). |
| 12 | La SINFONIETTA i el compromís social-2 | . Adams, John : Shaker Llops.(30) · SCHÖNBERG: La nit transfigurada(30'). |
| 13 | Les altres MARXES i altres VALSOS | · ARNOLD: “El pont sobre el riu Kwai”. · BART: Um Pah Pha. . CHOPIN; Vals n. 2 . CHURCHILL: "Blanca neus" . JARRE: "Vals Dr.Zhivago . KODALY: "Suite Harry Janos" . MAHLER: "Vals Sinf.1" . OFFENBACH: "Vals viuda alegre" . PROKOFIEFF: Suite "Amor de les tres Taronges" . RODGERS: "Somriures i llàgrimes" . ROZSA :Ben Hur (Love tema) . TXAIKOWSKY: Marxa Sinf 6 . WILLIAMS: Marxa Indiana Jones |
1. ORDINARY or NORMAL concert:
• with two parts of 35 ‘approximately. (See productions)
2. COMMENTED CONCERT:
• The conductor or a specialist calls the audience, half an hour before, to explain the characteristics of the program to be interpreted, or comments on each work before interpreting them. (See productions).
3. CONCERT FORUM
• The orchestra performs an open commented rehearsal, of a duration of 30’, with the public in the hall and the street dressed musicians.
• A normal concert with musicians dressed in concert, about 40’
• “Forum” or round table with musicians, conductor, soloists and invited art specialists, commenting on incidents of the concert and with the intervention of the audience, maybe in another room (with refreshments).
4. COMMENTED REHEARSAL:
One-hour open-to-the-public rehearsal with comments on the program’s works and relevant explanations to understand the work of the musicians and the director at the time of preparing a concert. (Suitable for school children, music schools, university, civic centers, retirees etc.)
